Netflix series '1670' sparks criticism in Poland over extinct aurochs and museum filming

The Polish Netflix series "1670" uses the extinct aurochs (tur) as a symbol to critique modern hunting practices and human impact on wildlife. The second episode of its third season highlights the animal's disappearance, blaming poachers and trophy hunting, and draws parallels to contemporary social issues.

The series has also drawn criticism for its filming at the Kolbuszowa open‑air museum (skansen). Some observers claim that set construction has altered historic façades and limited visitor access, while others argue that no permanent damage occurred, that the additions blend with the site’s aesthetic, and that the exposure has boosted attendance.

Debates continue over the cultural portrayal and the balance between artistic production and preservation of heritage sites.