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2026-09-10 23:41 UTC → 2026-09-11 22:31 UTC ·
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Luis Ybarra, the youngest director in the history of the The XXIV Bienal de Flamenco, began preparations for the festival's upcoming edition. During this planning phase, Ybarra focused on coordinating over 70 scheduled shows, reopening the Lope Flamenco de Vega theater after Sevilla is currently underway, featuring a three-year closure, diverse range of performances and seeking a more stable, year-round administrative team. The festival officially commenced with a gala performance at artistic tributes. At the Plaza de toros Teatro de la Real Maestranza de Caballería, featuring artists such as José Mercé, Martirio, and Arcángel. The event also expanded Maestranza, dancer Sara Baras returned to Seville after 14 years with the premiere of her work ‘Infinita’. Building on previous performances at the San Luis de los Franceses monumental complex in Seville, which hosted performances like complex, singer Pedro El Granaíno is performing ‘Pan de oro’ to utilize alongside clavicinst Daniel Oyarzábal, utilizing the baroque architecture for to complement the traditional ‘cante jondo’ style. Cultural programming has expanded to include the ‘Flamenquería’ exhibition at the Hotel Colón Gran Meliá. Created by artist Miguel Verdejo, this charcoal portrait collection honors legendary figures such as Camarón de la Isla and Paco de Lucía, serving as a tribute to the late producer Ricardo Pachón. Additionally, this edition of the Bienal explores evolving gender dynamics in flamenco styles. dance, showcasing how various generations of male dancers are challenging traditional codes of masculinity through their performances.