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2026-07-31 18:39 UTC → 2026-08-06 09:23 UTC ·
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Elden Ring film production wrap wrap, IMAX release set for March 2028
In late Principal photography concluded end of July 2026, two separate reports confirmed that principal photography on A24’s adaptation of the video‑game Elden Ring had concluded. The first report, dated 29 July, cited by multiple reports citing a now‑deleted Instagram post by prop artist Sean Schofield announcing the wrap and noting Schofield. The post included a thank‑you card signed by director Alex Garland and producers Allon Reich, Matthew Penry‑Davey, Peter Rice, Andrew Macdonald and Charlie Reed, describing the six‑month shoot, shoot as “the dream job to end all dream jobs.” The shoot lasted six months, within a budget exceeding $100 million, planned 100‑day schedule, and a took place in the United Kingdom—specifically Scotland and England—and also in Iceland, according to industry observers. Budget exceeds $100 million; cast that includes Kit Connor, Nick Offerman, Havana Rose Liu, Jonathan Pryce, Peter Serafinowicz and Serafinowicz, Cailee Spaeny. It also reaffirmed the planned worldwide release on 3 March 2028, leaving more than a year for extensive visual‑effects work. A second report on 31 July added details about the filming locations in the United Kingdom, specifically Scotland, Spaeny, Ben Whishaw among others. The film is directed and highlighted that the shoot stayed within the originally planned 100‑day schedule. It reiterated the involvement of director written by Alex Garland, producers produced by A24 and with George R. R. Martin, Martin and the same high‑profile cast. Both reports underscore that listed producers. Post‑production will focus on extensive visual‑effects to recreate the project “Lands Between,” with an IMAX version planned. The worldwide theatrical release is on track set for its 3 March 2028 theatrical debut, with 2028, giving more than a year for post‑production now the primary focus. and strategic scheduling to secure IMAX screens and avoid competition. The project reflects a broader trend of prestige‑driven video‑game adaptations.